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is a full service, locally owned property management company serving Portland, Oregon and its surrounding areas. Then paint in black on the parts of the photo that have become too saturated, like the pillows on the couch.Affinity Group Inc. To do this, apply a Vibrance Adjustment layer. To make your brush strokes less noticeable, press the Filters icon.Īpply a Gaussian Blur Filter to the Brightness/Contrast Adjustment layer.Īs you increase the Radius, you will blur the edges of the areas you painted on.įinally, let’s enhance the colors in our image. Then paint on the areas you want brighter. Having a low Flow allows you to slowly paint the adjustment layer onto the areas you want. Just paint with white paint, and make sure your Hardness is set to 0%, and your Flow is around 10%. Now the adjustment is applied to nothing.īut we can use the paint brush to paint this adjustment onto any parts of the photo we want. Then invert the adjustment by pressing Command I (Mac) or Control I (PC). To do this, make another Brightness and Contrast Adjustment layer. We could also add extra brightness to specific parts of the photo. Now our adjustment layer will no longer affect the brightest parts of the photo. We won’t dive deep into Blend Ranges right now, because all we need to do is bring the last circle all the way down. To fix this, have the Brightness/Contrast Adjustment layer selected, and then press on the Gear icon. We want most of the photo brighter, but we don’t want to make the lights in the room too bright. The problem with this adjustment is that it’s making everything brighter, including the bright lights by the TV. Let’s make the photo brighter by applying a Brightness and Contrast Adjustment.īring up the Brightness, as well as the Contrast. But with a little more editing, we can improve it even more. The bright parts of the ambient layer have now been hidden.Īs you can see, our image already looks a lot better. To do this, select the Mask layer icon, and invert it by pressing Command I (Mac) or Control I (PC). We want hide the bright parts of the layer. This is the exact opposite of what we want. The mask we applied made it so only the parts we had selected remain visible. Then press Command D (Mac) or Control D (PC) to de-select. Just make sure you have the Ambient layer selected, and then press on the Mask icon. We’re going to use this selection to mask our ambient layer. Now we have a selection of the brightest parts of the red channel. To do this, right click on the Composite Red channel, then press Load to Pixel Selection. We’re going to use the red channel to make a selection. Then put the Ambient layer on top of the Flash layer.įrom here, we can see that our entire photo is made of red, green, and blue color channels. To ungroup them, just right-click on the layer, and press Ungroup.
Now the two images are perfectly lined up with each other.Įven if you used a tripod, I still recommend you put both images into a stack, because a tripod can sometimes shake a little while you’re taking a photo.Īfter stacking photos, Affinity puts them inside of a group. Then press Add, and select the two images. Just come to File, and then down to New Stack. To do, we can use Affinity’s stack feature. To begin editing our Flambient photo, we need to bring the two exported JPEGs into Affinity Photo, and make sure they’re lined up with each other. If you want, you can skip all of this and get the JPEGs here. We won’t be covering the Develop Persona here, but if you’re interested in learning more about it, we have an entire chapter dedicated to this persona in our beginner’s guide to Affinity Photo.Īfter you’re done editing the images in the Develop Persona, press Develop, and then export them as JPEGs.
Then you can open the RAW images in Affinity Photo, and edit them from the Develop Persona. For this example, we’ll use this sample image with a flash, and this sample image without a flash. This is best done while using a tripod, to make sure the photos are in the same position. To make a Flambient photo, you first need to take two pictures of the room, first with flash, then without.
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